Der Erfolg des feministisch-lesbischen Pornokinos im Rahmen des Queergestreift Filmfestivals 2018 hat uns gezeigt: SEX SELLS! Und ihr könnt gar nicht genug davon bekommen! Jetzt gibt’s Nachschlag! In diesem Jahr präsentieren wir ein neues, brandaktuelles Lineup queerer Sexgeschichten jeglicher Couleur.
Ästhetisch schön erzählt, zeigen die verschiedenen ‚Queerotic Shorts‘ Fantasien und gelebten Alltag, Intimität und Erotik statt nur nacktem Fleisch, flexible Rollen und Rollenspiele. Der Kurzfilmblock erkundet mit allen Sinnen vielfältige Körper und Themen und zeigt mutige Menschen vor und hinter der Kamera, die Einblicke in queer gelebte Beziehungen, Kommunikation und Sexualitäten gewähren.
Einlassen und Zulassen, Lebendigkeit und Gefühle teilen, mit Humor und Gelassenheit Horizonte erweitern: Das queerfeministische Pornokino möchte dazu anregen, sich aus einem neuen Blickwinkel mit queeren Sexualitäten auseinanderzusetzen, Interesse entstehen zu lassen und Fragen zu stellen. Let’s talk about sex, Baby!
Neben euch Zuschauer*innen wird der Berliner independent Porn Regisseur Noel Alejandro zu Gast sein, dessen neuesten Film SERODISCORDANTES als Center Piece im Kurzfilmblock gezeigt wird.
PROGRAMM: LET`S WATCH SEX – Queerfeministisches Pornokino
1. NÄKKI – SPELLBOUND
FI 2018, 24 min; D/W: Luna Kuu; P: Luna Kuu, Martin Jäger, Laura Rämö
Contact: www.instagram.com/luvvbitescollective
Inspired by Finnish folklore, Näkki – Spellbound is a story of two human beings casting a spell to bring back fertility. The eerie and surreal sensations of the two protagonists and the surrounding nordic forest are interrelated. Only one item is missing before the spell can be completed. The enchanting embodiment of this ancient power waits for Saga underneath the lake.
2. FURNITURE PORN PROJECT
FR/DE 2017, 10 min; D/P: Antoine Herlay
+++the hottest Louis Philippe wardrobes in a 10km radius around yours — this kinky little bed side table open for a one night stand — Central_Island_Unit sent you a private message+++
3. NOWNESS: NIPPLES
US 2017, 4min; D: Matt Lambert
Contact: www.dielamb.com
The beauty, erotic and censorship of nipples.
4. BREAKFAST IN BED
DE 2018, 3 min; D: Ethan Folk, Ty Wardwell
Contact: www.cutenon.com
This hole is warm and ready to make their lover’s favorite breakfast.
5. SERODISCORDANTES
ES 2019, 27 min; D/P: Noel Alejandro
A virus is always an unwanted guest. Yet, if it arrives, you better make room for it. Consumed by the guilt, Miguel was doing his best to keep Evaristo safe and apart of the tension, but he knew he couldn’t hide it any longer when dark thoughts started taking on his dreams. Seeking the mystic help of a pendulum, both lovers enter a dangerous game of questions that will reveal the most undesirable intimacy. In the time of a day, they’ll go together through the fear of the illness, the subtle loss of the innocence, and the unparalleled complicity that arises from deep truth. Based on the story of Alejandría Cinque and Cachorro Lozano.
6. THE HUTONG VIBE
CH 2016, 18 min; D/P: Popo Fan
The Hutong Vibe is the first feminist queer pornography film made in Mainland China. Two women met in a Hutong b&b in Beijing. One of them presents herself as unfriendly and bashful while the other is bold and flirty. What would happen when they become more and more involved?
GENERAL INFO – AWARDS, FESTIVALS & LITERATURE:
- PorYesAward Berlin: poryes.de / www.de.m.wikipedia.org/wiki/poryes
- Porn Film Festival Berlin: pornfilmfestivalberlin.de
- Porn Film Festival Vienna: pornfilmfestivalvienna.at
- Tristan Taormino – The Feminist Porn Book: The Politics Of Producing Pleasure
WEBSITES:
- Shine Louise Houston: PinkLabel.Tv (Lots of shorts of past festivals.)
- Erika Lust: erikalust.com
Noel Alejandro
Noel Alejandro (1985, Barcelona) is an independent filmmaker and alternative adult films director who produces in both in Berlin and Barcelona. Even before his first works in the adult films industry, Noel’s path has always been driven by his interest in all kinds of art that break taboos. Having chosen cinematography as his main field, he soon decided that he would push for a more sensitive way of scriptwriting, setting up his stories in order to continuously push pre-settled boundaries of filmmaking.